翻译if you would like to take good photographs of real-life situations but haveYou would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest you look around you. The everyday world is full of scenes

翻译if you would like to take good photographs of real-life situations but have
You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning. The realistic approach to photograph has been perfected in the past by such maters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field has to come from developing an individual approach. The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a good picture. Those who have reached this happy state will be prepared when that moment comes, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases and lens caps. Film manufactures must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you'll find that even the professionals have to use a lot of film when they are out shooting. Not every shot is going to be a winner. If you look at the work of even the best photographers, you'll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens. You may find that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stands out. There is just one point where it all comes together, and you often have to waste film to catch that precious moment.

你想拍出好照片的真实情况,但你有一些想法的照片.我建议你看看你的周围.在日常生活中充满了场景所发挥的作用不断变化的一组演员.你可能通过十几个图片情况没有注意你早上在上班的路上.现实的方式已完善过去等方面作布勒松和比尔勃兰特.但当你可以学到很多从其他人的工作,任何成功,你可以希望实现在这一领域的来自发展中国家的个人方法.主要要求的任何摄影师没有什么技术问题.你必须意识到你周围的世界和住在其间,你应该学会通知的情况时可能发展到一个地步,你将能够拍出好的照片.那些已经达到这种状况将准备当那一刻到来时,将简单地提高他们的相机快速射击.人谁不知道这样挣扎着将相机和镜头盖.电影制作的很高兴,在没有经验的摄影师寻找合适的情况和正确的时刻.许多英里的昂贵材料经过了数以千计的相机这无尽的继续搜寻.但是,虽然很多这种废物必须放下来的经验,你会发现,即使是专业人士使用很多电影当他们投篮.不是每一个镜头是一个赢家.如果你的工作,即使是最好的摄影师,你会注意到许多图片都只是因为他们通往成功的情况下,摄影师显然已通过观察镜.你会发现你已经采取或图片后,正确的时刻已经过去好.很少有一个以上的球,站出来.只是有一点,都是在一起,和你经常有废片,抓住那珍贵的时刻.

你想好好照片真实情况,但你有几个设想的图片。我建议你看看你的周围。世界上充满了日常生活的场景正在播放一个类的演员。你可能通过打照片的情况下,而没有注意到在用自己的方式去上班了。这张照片已被现实的方法,完善等方面在过去由Cartier-Bresson和比尔·布兰特一样。但是当你可以了解许多从看着别人的作品,你可以希望达到成功在这个领域里的来自发展中个体的方法。任何的主要要求摄影师并不是技术问题。你必...

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你想好好照片真实情况,但你有几个设想的图片。我建议你看看你的周围。世界上充满了日常生活的场景正在播放一个类的演员。你可能通过打照片的情况下,而没有注意到在用自己的方式去上班了。这张照片已被现实的方法,完善等方面在过去由Cartier-Bresson和比尔·布兰特一样。但是当你可以了解许多从看着别人的作品,你可以希望达到成功在这个领域里的来自发展中个体的方法。任何的主要要求摄影师并不是技术问题。你必须制定一个意识的你周围的世界和生活在其中的人,那么你应该学会注意到当一个情况可能会发展到一个点,您还可以参加一个很不错的画面。那些已经达到这样的幸福状态就要准备当这一时刻来临之时,只会提高他们的相机快速射击。那些不是很了解的人将挣扎着相机案例和镜头盖。一定很高兴在电影制作经验的摄影师的思想出发寻找合适的位置和正确的时刻。许多英里的昂贵的资料已经通过了成千上万的相机,因为这无尽的搜索仍在继续。但是虽然有很多这样的垃圾必须被放下,缺乏经验,你会发现,即使是专业人士必须使用许多片子在他们出去的时候射击。不是每一杆将会是一个胜利者。如果你看一下即使最好的摄影师的工作,你会注意到几十个图片已经被仅仅因为他们带来了成功的镜头的情况下有明显的观察摄影师通过镜头。你会发现你已经拥有一个或两个图片在恰当的时机已经过去了。很少有超过一个的射门,鹤立鸡群。这世上只有一个地步,它都是在一起,你必须经常浪费电影要赶上那珍贵的时刻。

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